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The Synth-Pop Duo's Creative Genius Dave Ball Passes Away, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) formed Soft Cell alongside Marc Almond in Leeds during 1977

The talented musician, one half of the groundbreaking 1980s electronic music duo Soft Cell, has died at the age of 66.

Alongside vocalist Marc Almond, the pair scored a worldwide hit with their version of Gloria Jones' the classic track Tainted Love in 1984, and their debut album Non-Stop Erotic Cabaret is regarded as a classic of synth-pop.

He subsequently formed the innovative techno group The Grid, who achieved chart success with their 1994 single the hit Swamp Thing.

Ball died peacefully in his sleep at his home in London on Wednesday 22 October, only a short time after performing a headline show with Soft Cell at the Rewind Festival in the Thames-side town.

Health Struggles

At that performance, Ball performed in a mobility chair, as he had for the last two years, after a spate of ill-health.

"I ended up injure myself significantly," he commented in 2023. "I fractured spinal bones in my spine and fractured about multiple ribs and broke my wrist."

Following catching pneumonia and suffering from sepsis, he was placed in an induced coma and remained in hospital for half a year.

Nevertheless, he had been in "high spirits emotionally" during the summer, as he was developing a fresh record with Almond, called the upcoming Danceteria, which is set for publication next year.

"He was focused and very pleased with the new album that we actually completed only a short time ago," said the vocalist in a tribute.
"It's truly heartbreaking as next year was completely planned to be such an uplifting time for him, and I take some solace from the knowledge that he listened to the finished record and believed that it was a masterpiece."
Soft Cell performing in the early 1980s
The duo were at the forefront of the synth-pop movement in the beginning of the decade

Heartfelt Messages

Almond described his bandmate as "an exceptionally talented creative mastermind", stating: "He was the core essence of Soft Cell and I'm extremely pleased of our body of work.

"Thank you Dave for being an immense part of my existence and for the songs you gave me. I wouldn't be where I am without you."

Richard Norris from The Grid, also paid tribute, recalling Ball's "constant humor" and "unwavering friendship".

"Forming a duo with someone is different from being in a band, the connection is incredibly close," he added.
"That's how it was with us. We experienced so many extraordinary, incredible, life-affirming experiences as a team. Thank you, Dave."
Dave Ball in 2018
Dave Ball, photographed at a radio station in recent years

Formative Years

Born into a single-parent household in Chester in 1959, Ball was put up for adoption when he was a year and a half old.

He grew up in Blackpool with his new family Donald and Brenda Ball, who altered his first name from Paul to his adopted name, alongside his sibling his sister, who was also adopted.

He encountered Almond at Leeds Polytechnic in the late 70s, where they were both studying fine arts. Inspired by a shared love of Northern Soul, they formed Soft Cell the very year, and promptly recorded an extended play.

Musical Partnership

The duo were an unusual combination: Ball was the reserved technician, bent over his keyboard, while Almond was a flamboyant performer, all sparkle and makeup; but they achieved a unique musical alchemy.

Ball had developed a fascination with electronic instruments after watching the band Kraftwerk appear on BBC program Tomorrow's World, and began to combine dark electronica to the soaring melodies Almond was writing.

Their signature song became the UK's second most popular single of 1981, shifting millions of copies worldwide. Together with hits by Gary Numan, Human League and Ultravox, it contributed to cleared the path for the synth-pop sound of the 80s.

The song was also included on their first album, Non-Stop Erotic Cabaret, which spawned two additional top five hits: Bedsitter and Say Hello, Wave Goodbye.

They followed the record up with the separate release, Torch, which reached at the second position in the following year.

Soft Cell in the studio
The pair were working on fresh songs until just before Ball's death

Career Highlights

Success had its benefits. "I loved being able to purchase my first home, having money and exploring, which makes me sound like a beauty queen," Ball recently told with a music magazine.

But it also caused problems. "Newfound wealth allowed we could afford substances to alleviate the monotony" of press appearances and television shows, Ball said.

"I know that's a cliché, but it's a truism for a valid cause, because it works for so many musicians."

Amidst the party-filled existence, the pair were also growing distant, but they succeeded to produce a follow-up classic album - the wayward, tense and fittingly named The Art Of Falling Apart.

They put out another album, 1984's This Last Night In Sodom, before dissolving the group to focus on other projects.

Almond proceeded to have a successful solo career, including the top 10 hit Something's Got A Hold Of My Heart; while Ball created The Grid, who combined dance music with melodic sounds over a long-lasting partnership.

Reunions and Final Projects

Soft Cell reunited in 2001, producing the charting record Cruelty Without Beauty.

Following another hiatus, they reappeared in recent years, releasing the original singles Northern Lights and Guilty (Cos I Say You Are) before staging what was intended to be a final performance at the O2 Arena on 30 September, 2018.

Yet, they remained together, creating their latest project, Happiness Not Included, during the 2020 restrictions.

Ball recently characterized the band's upcoming release as a homage to the NYC nightlife they visited while recording their first two albums.

He noted that his period in medical care had shaped the group's music.

"I experienced unusual memories when I was in and out of hospital because I was on morphine," he explained to a publication.
"The new songs are a digital reflection of the noises in my mind from those days.
"In parallel, it's about the experiences me and Marc got up to in the 80s."

The last versions were completed only a short time before Ball passed away. It is due for launch in the spring of 2026.

JD
Written by

Jason Davis

A tech strategist with over a decade of experience in enterprise solutions and digital transformation across UK industries.

Metro Enterprise UK

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